| 1 |
The Causing Aspects of Johannes Betzler's Obsessive Love in Caging Skies (2004) |
IN Sya'bana, EN Aeni, RK Trisnawati |
2023 |
| 2 |
Id, Ego, and Superego in the Main Character of True Beauty (2018) Webtoon by Yaongyi |
MN Samsia, R Februansyah, RK Trisnawati |
2023 |
| 3 |
Liberal Feminism in Nawal El Saadawi’s Memoirs of A Woman Doctor (2000) |
PA Zahra, T Murniati, RK Trisnawati |
2023 |
| 4 |
Indonesian doctoral students' negotiation of knowledge production in their doctoral research: A photovoice study |
A Triastuti, N Sadiq, RK Trisnawati, NE Nugraheni, MF Ubaidillah |
2023 |
| 5 |
WOMEN’S REBELLION AGAINST DOMESTICITY AND POLITICAL MARGINALIZATION IN BRADBEER’S ENOLA HOLMES (2020): A FEMINISM THEORY IN LITERARY STUDY |
I Mugiarti, T Murniati, RK Trisnawati |
2022 |
| 6 |
KEMANDIRIAN TOKON JULES OSTIN SEBAGAI TOKOH WANITA KARIR DALAM FILM “THE INTERN”(2015) |
D Ardiarti, RK Trisnawati |
2021 |
| 7 |
Hero in KL Noir: White (2013), is there any? |
RK Trisnawati |
2020 |
| 8 |
A Depiction of Gender Role in the Movie of Incredibles 2 (2018) |
RN Fahira |
2020 |
| 9 |
Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film |
N Noorashid, NR Mohamad, RK Trisnawati |
2020 |
| 10 |
Noir Sensibility and the Mystical East in Amir Hafizi’s “The Unbeliever” of Amir Muhammad’s KL Noir: Red |
RK Trisnawati |
2018 |
| 11 |
Noir Sensibility and the Mystical East in Amir Hafizi's" The Unbeliever" of Amir Muhammad's KL Noir: Red. |
RK Trisnawati |
2018 |
| 12 |
Shifting Noir Elements: An Overview on Noir Fiction in Southeast Asia |
RK Trisnawati |
2017 |
| 13 |
Committing An Affair In The Marriage Life: Readers’ Interpretation Of Virginia Woolf’ s" the Legacy†|
RK Trisnawati |
2016 |
| 14 |
The Noir: Reading the Contemporary Southeast Asia (A Study on KL Noir, Singapore Noir And Manila Noir) |
RK Trisnawati |
2014 |
| 15 |
Employing Mary Whitebird’s short story Ta-Na-E-Ka to raise student’s ecological awareness |
RK Trisnawati |
2014 |
| 16 |
Empowering Literature For Educating Character Building (A Study Case On Readers Of O. Henry's After Twenty Years) |
RK Trisnawati |
2012 |
| 17 |
Indonesian English Lectures on English and Identity: A Study of Yogyakarta-Indonesia |
A Dewi, R Trisnawati |
2011 |
| 18 |
Authentic Video: An Alternative Teaching Material |
RK Trisnawati |
2010 |
| 19 |
TESTING STUDENTS'ACCOUNTABILITY IN COOPERATIVE LEARNING CLASSROOM: A CASE STUDY OF WRITING 2 CLASS |
RK Trisnawati |
2010 |
| 20 |
Implementing reader-response theory: An alternative way of teaching literature research report on the reading of booker T Washington's up from slavery |
RK Trisnawati |
2009 |
| 21 |
Hegemony of white beauty standard in Toni Morrisons the Bluest Eye |
RK Trisnawati |
2009 |
| 22 |
Hegemony of White Beauty Standard in Toni Morisson’s The Bluest Eyes |
RK Trisnawati |
2009 |
| 23 |
Toni Morrison's The Bluest Eye: When Beaaty Turns Out To Be Hegenomy |
RK Trisnawati |
2008 |
| 24 |
Frederick Douglass̢۪ Narrative of the Life of Frederick Douglass: Between the Expressions of Unpleasant Feeling and Freedom Gaining on Slavery |
RK Trisnawati, R Februansyah |
2008 |
| 25 |
Frederick Douglass' Narrative of the Life of Frederick Douglass: Between the Expressions of Unpleasant Feeling and Freedom Gaining on Slavery |
RK Trisnawati, R Februansyah |
2008 |
| 26 |
Committing An Affair In The Marriage Life: Readers’ Interpretation Of Virginia Woolf’ s" the Legacy†|
RK Trisnawati |
2007 |
| 27 |
Committing An Affair In The Marriage Life: Readers’ Interpretation Of Virginia Woolf’ s" the Legacy†|
RK Trisnawati |
2007 |
| 28 |
Committing An Affair In The Marriage Life: Readers’ Interpretation Of Virginia Woolf’s" the Legacy” |
RK Trisnawati |
2007 |
| 29 |
The Power of Readers’ Interpretation on" Negro" by Langston Hughes |
RK Trisnawati |
Tahun Belum Diisi |
| 30 |
KL Noir Series: Reading The Urban Life Of Malaysian Society (A Sociology Of Literature Study Of KL Noir Series: KL Noir Red, KL Noir White, KL Noir Blue And KL Noir Yellow) |
RK Trisnawati |
Tahun Belum Diisi |
| 31 |
Indonesian English Lectures on English and Identity: A Study of Yogyakarta-Indonesia |
A Dewi, R Trisnawati |
Tahun Belum Diisi |
| 32 |
Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film |
N Noorashid, NR Mohamad, RK Trisnawati |
Tahun Belum Diisi |
| 33 |
Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film |
N Noorashid, NR Mohamad, RK Trisnawati |
Tahun Belum Diisi |
| 34 |
The Power of Readers’ Interpretation on" Negro" by Langston Hughes |
RK Trisnawati |
Tahun Belum Diisi |
| 35 |
KL Noir Series: Reading The Urban Life Of Malaysian Society (A Sociology Of Literature Study Of KL Noir Series: KL Noir Red, KL Noir White, KL Noir Blue And KL Noir Yellow) |
RK Trisnawati |
Tahun Belum Diisi |
| 36 |
Indonesian English Lectures on English and Identity: A Study of Yogyakarta-Indonesia |
A Dewi, R Trisnawati |
Tahun Belum Diisi |
| 37 |
“PLEASE DON’T TREAT ME LIKE A SERVANT. I DO HAVE MY RIGHTS”: INDONESIAN MIGRANT DOMESTIC WORKERS (IMDWS) WRITE BACK IN FAMILIAR STRANGERS (2018) |
RK Trisnawati |
Tahun Belum Diisi |
| 38 |
“This is not easy”: Unveiling the nuances of discrimination experienced by LGBTQ+ teenagers in Heartstopper Season I (2022) |
RK Trisnawati, EU Sutikno, MF Agustina, PB Prameswary, SH Mutyas |
2024 |
| 39 |
Emotions vs Colours: A Semiotics Study |
ET Hasiana, MF Agustina, RK Trisnawati |
2024 |
| 40 |
Portrayals Of The Dutch Colonial Tea Plantation In Hella Haasse’s" The Tea Lords"(1992) |
DR Firdaus, RK Trisnawati, LSW AF |
2024 |
| 41 |
Immigrant’s Cultural Alienation in Elaine Chiew’s Face |
T Sari, N Hartati, RK Trisnawati, I Hadiningrum |
2023 |
| 42 |
“From the Series, I See that LGBTQ+ Characters are Ordinary People”: An Audience Study on Netflix Series with LGBTQ+ Themes in 2020–2022 |
RK Trisnawati, T Sari, I Hadiningrum |
2023 |
| 43 |
The Effect of Parental Rejection on Children’s Personality Depicted in The Willoughbys (2020) |
DA Safitri, MF Agustina, RK Trisnawati |
2023 |
| 44 |
Gender stereotypes in Nancy Meyers’ †œThe Internâ€(2015): A study of film audience response |
RK Trisnawati, D Adiarti, MF Agustina |
2021 |
| 45 |
Repression of Sophie Hatter in Howl’s Moving Castle by Diana Wayne Jones (1986) |
C Celicia, MF Agustina, RK Trisnawati |
Tahun Belum Diisi |
| 46 |
“PLEASE DON’T TREAT ME LIKE A SERVANT. I DO HAVE MY RIGHTS”: INDONESIAN MIGRANT DOMESTIC WORKERS (IMDWS) WROTE BACK IN FAMILIAR STRANGERS (2018) |
RK Trisnawati |
Tahun Belum Diisi |
